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%%abc-charset utf-8
X: 1
T: Fyrareprisarn
O: Jät, Småland
S: efter August Strömberg
D: Svensson, Gustafsson mfl - Bålgetingen
Z: Till abc av Jon Magnusson 100517
R: Hambo
M: 3/4
L: 1/8
K: F
c2 a>g f>e|d>c BA G>F|E>F GA B>c|d>c AB c>c|
c>a a>g f>e|d>c BA G>F|E>F Gd c>E|F2 f4::
{A}d>^c de f>g|e>f de =c>A|A>B AG FE|DE FG A>A|
d>^c de fg|e>f de =c>A|A>B AG FE|D2 d4::
c2 f2 c>c|B>d B4|G>c e2 c>e|f>>g a>f c2|
c2 f2 c>c|B>d g4|G2 e>g c>>>e|f2 f4::
f>f f4|e>e e3A|A>B AG FE|D>E FD E2|
f>f f4|e>e e3A|A>B AG FE|D2 d4:|
aj
X:254
T:Mystery Reel
R:reel
Z:transcribed by Dave Marshall
M:C|
K:G
|: egdB A3B | ~G3B A2Bd | e2dB A2BA |1 GEDE GABd :|2 GEDE GBdc |
|: B~G3 GEDG | BGAB GEDG | A2GB A2GA |1 Bdef gedc :|2 Bdef gedB |
|: ~G3E DEGB | dBGB A~E3 | GAGE DEGF | GBdB A2G2 :|
| gede g2ag | egde ge (3eee | gede g2ag | egde ~g3a |
gede g2ag | egde ge (3eee | ~g3e a2ba | ge (3eee b2ag |
ai X: 1
T:Full Rigged Ship
M:6/8
L:1/8
Q:100
C:Traditional
S:From The Boys of the Lough
R:Jig
O:Boys Of The Lough
A:Shetland
D:Boys of the Lough "Wish You Were Here"
K:G
|:e2a aea|aea b2a|e2f~g3|eag fed|
e2a aea|aea b2a|~g3 edB|A3A3:|!
|:efe edB|A2Bc3|BAG BAG|BcdE3|
efe edB|A2Bc2d|efe dBG|A3A3:|!
|:EFE EFE|EFE c3|EFE E2D|E2=F GEC|
EFE EFE|EFE c2d|efe dBG|A3A3:|
a_ %
X: 180
T:Ale is Dear, The
M: 4/4
L: 1/8
R:Reel
Q:1/4=211
% Last note suggests Locrian mode tune
K:D % 2 sharps
% (c) SSF January 2006
V:1
f2 ef B2 fe| fa ef cA ec| f2 ef B2 fe| fa ec B2 Bc|
f2 ef B2 fe| fa ef cA ec| f2 ef B2 fe| fa ec B2 Bc|
B3/2BB|A>A A>G Ac d3/ (c//d//)| e>g d>e c>d e>d|cA A>G G3||
(c/d/)|ec e>f g>e|d>d d>c de f3/ (e//f//)|(g/f/) (e/f/) ed c>d e>d|cA A>G G3|]
a
X:5
T:The Begger Boy
R:Jig
H:The tune name may derive from the song "The Begger Boy of the North"
H:(c. 1630)
N:This tune is in the rare Phrygian mode--suggested chords are given
M:6/8
L:1/8
Q:90
K:APhry
AAAf2f|ec2d2c|AF2G2G|A2B cA2||
AAAf2f|ec2d2c|Ac2ede|fA2G3|
Acc e>dc|dfg/2f/2 efd|cAF G2G|A2B cA2||
W:From ancient pedigree, by due descent
W:I well can derive my generation
W:Throughout all Christendome, and also Kent
W:My calling is known both in terme and vacation
W:My parents old taught me to be bold
W:Ile never be daunted, whatever is spoken
W:Where e're I come, my custome I hold
W:And cry, Good your worship, bestow one token!
W:--Roxburghe Ballads
a~ X:1
T:The Battle of the Sna' Ba's
Z:Jack Campin: "Embro, Embro", transcription (c) 2001
F:17riot/abc/SnaBas.abc
S:NLS MH.v.549
N:identical format, typeface and engraving style to The Lyre, but anonymous
M:C|
L:1/8
Q:1/2=72
K:Eb Lydian
e|B>EE>E B>EG>e|B>EE>E B2G>B |A>FF>F A>FG>B|A>FF>F B2GF|
E>ee>f e>cB>G|F>ff>g f>ed>c|B>ee>f e>cB>e|
d>fc>e d>fc>e|d>fc>e d>ec>d|e>fg>f e2e |]
a X:0912
T:"A Draught of Ale" (jig) 0912
C:after Sg't. J. O'Neill
B:O'Neill's Music Of Ireland (The 1850) Lyon & Healy, Chicago, 1903 edition
Z:FROM O'NEILL'S TO NOTEWORTHY, FROM NOTEWORTHY TO ABC, MIDI AND .TXT BY VINCE BRENNAN June 2003 (HTTP://WWW.SOSYOURMOM.COM)
I:abc2nwc
M:6/8
L:1/8
K:G
D|GBA G2A|Bdg Bdg|GBA G2B|AFD AFD|
GBA G2A|Bdg Bdg|ecA dBG|cAF G2:|
|:d|egf g2f|ege dBG|GFG dBG|BAA A2d|
egf g2f|ege dBG|GFG dBG|cAF G2:|
a
X:166
T:166 Valentine Jigg (Pe)
M: 9/8
L: 1/8
S: original in 6/8 major reconstruction -AH
K:D
A3 F2A c2d | efe d2c BAG|A3 F2A c2d| A2a g>fg a3 :|
|: a2e c2e gag |e2c d2f efe |d3 G2B cdc |ABc dcB A3:|
%%vskip 1.5cm
X:167
T:167 The Dublin Jig (HJ)
A:Wyresdale, Lancashire
B:H.S.J. Jackson, 1823
L:1/8
M:9/8
K:A
f|ecA ABA agf | ecA FBA GFE |ecA Ace agf | ecA FBG A2 :|
|:c|BGE EGB dcB | cAc ece aec |BGE EGB dcB | cde dcB A2 :|
%%vskip 1.5cm
X:168
T:168 The Castle Gate (HJ)
A:Wyresdale, Lancashire
B:H.S.J. Jackson, 1823
L:1/8
S: original in E
M:9/8
K:A
E | Ace Ace Ace | Ace BcA GFE | Ace Ace Ace | cag fe^d e2 :|
|:e | fga def Bcd | FGA BcA GFE | FAd GBe Ace | fdB BAG A2 :|
%%vskip 1.5cm
z
X: 979
T: Triplets in Slurs, Slurs in Triplets, Nested Slurs
M: 2/4
L: 1/16
K: Edor
B,2|E^DEE ((3GFG)BA)|E^DEF (3(GFG))BA|(E(^DE)F) (3(GF)G)BA|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Slur test, plus tie tokens
M: 2/4
L: 1/16
K: Edor
B,2|E^DE-E ((3GFG)BA)|E^DEF (3(G-GG))BA|(E(^DE)F) (3(GF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Tie test, plus crescendo tokens
M: 2/4
L: 1/16
K: Edor
B,2|!crescendo(!E^DE-E!crescendo)! ((3GFG)BA)|E^DEF (3(G-GG))BA|(E(^DE)F) (3(GF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Tie test, plus diminuendo tokens
M: 2/4
L: 1/16
K: Edor
B,2|!diminuendo(!E^DE-E!diminuendo)! ((3GFG)BA)|E^DEF (3(G-GG))BA|(E(^DE)F) (3(GF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Diminuendo test, plus staccato tokens
M: 2/4
L: 1/16
K: Edor
B,2|!diminuendo(!.E^D.E-E!diminuendo)! ((3.G.F.G)BA)|E^DEF (3(G-GG))BA|(E(^DE)F) (3(GF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Staccato test, plus bowing articulations
M: 2/4
L: 1/16
K: Edor
B,2|!diminuendo(!.E^D.E-E!diminuendo)! ((3.G.F.G)BvA)|E^DEF (3(G-GG))BuA|(E(^DuE)F) (3(GF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Staccato test, plus accents and tenuto marks
M: 2/4
L: 1/16
K: Edor
B,2|!diminuendo(!.E^D.E-E!diminuendo)! ((3.G.F.KG)BA)|E^DMEF (3(G-GG))BkMA|(E(^DE)F) (3(kGKF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Slur test, plus grace notes
M: 2/4
L: 1/16
K: Edor
B,2|{E^DEE} E^DEE ((3GFG)BA)|E^DEF {CDEFGAB}(3(GFG))BA|(E(^DE)F) (3(GF)G)BA|(E^DEF (3(GFG)))BA|G6
z
X: 979
T: Guinea Pig
M: 2/4
L: 1/16
K: Edor
B,2|!diminuendo(!KE^DkK.uvME-E!diminuendo)! !GARBAGE! {CDEFGAB} ((3.G.FG){BA}BA)|{E^DMEF} E^DMEF(3(G-GG))BA|(E(^DE)F) (3(GF)G)A-A|(E^DEF (3(GFG)))BA|G6
z
M:4/4
ed|cecA B2ed|cAcA E2ed|cecA B2ed|c2A2 A2:|
K:G
AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:|
% comment line
E2E EFE|E2E EFG|M:9/8
A2G F2E D2|]
"C"[CEGc] "Gm7"[.=G,^c']
(3.a.b.c % stacato
vAuBvA % up down bow
zM:6/8
L:1/8
K:G
V:1 name="Whistle" snm="wh"
B3 A3 | G6 | B3 A3 | G6 ||
V:2 name="violin" snm="v"
BdB AcA | GAG D3 | BdB AcA | D6 ||
V:3 name="Bass" snm="b" clef=bass
D3 D3 | D6 | D3 D3 | D6 ||
zM:4/4
K:E
T:Test Tuplet Primitive
(3.c=c^c (5ccc=cc (6ccccc=f (7Bcc^^c=cc^f
(3.c2=c2^c2 (3.c2=c2^c2
(6c/c/c/c/c/=f/ (6B/c/c/^^c/c/^f/ z4
a %abc-2.1
M:4/4
O:Irish
R:Reel
X:1
T:Untitled Reel
C:Trad.
K:D
eg|a2ab ageg|agbg agef|g2g2 fgag|f2d2 d2:|ed|cecA B2ed|cAcA E2ed|cecA B2ed|c2A2 A2:|
K:G
AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:|
X:2
T:Kitchen Girl
C:Trad.
K:D
[c4a4] [B4g4] | efed c2cd|e2f2 gaba|g2e2 e2fg|
a4 g4|efed cdef|g2d2 efed|c2A2 A4:|
K:G
ABcA BAGB|ABAG EDEG|A2AB c2d2|e3f edcB|ABcA BAGB|
ABAG EGAB|cBAc BAG2|A4 A4:|
zM
X:1
T:Example 16-13
L:1/4
M:3/4
K:F
V:1
fz((6:4F,//A,//C//F//A//c// e/d/)dz
zA
X:4
T:D Fragment
C:Czerny
M:C
K:C#
L:1/16
CEDF EGFA GBAc Bdce|]
z
X:213
T:Through Measure
L:1/16
Q:1/4=104
M:4/4
K:G
V:1 treble
V:1
(=fe^d^c _BcdB) fB=BB c=cc^c|c4d2f2 ^G2=f2B2^A2-|A4F4 A2B2 c2f2|]
zU
X:213
T:Tie Through Measure
L:1/8
M:4/4
K:G
V:1 treble
V:1
z8 ^G=fB^A-|A2F2 AB cf|]
z~
%abc-2.1
%%propagate-accidentals octave
X:213
T:Directive Octave
L:1/8
M:4/4
K:G
V:1 treble
V:1
g^G_ag a=ffF|=F2^c2 FB =ca|]
z|
%abc-2.1
%%propagate-accidentals pitch
X:213
T:Directive Pitch
L:1/8
M:4/4
K:G
V:1 treble
V:1
g^G_ag a=ffF|=F2^c2 FB =ca|]
zx
%abc-2.1
%%propagate-accidentals not
X:213
T:Directive Not
L:1/8
M:4/4
K:G
V:1 treble
V:1
g^G_ag a=ffF|=F2^c2 FB =ca|]
c dS )z.
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